Today marks the 33rd anniversary of the passing of Ligali Mukaiba, a true pioneer and legend of Apala music in West Africa. Mukaiba, who was affectionately known as “Baba L’Epe,” dominated the music scene from 1945 until his death in 1984 at the age of 60.
The first time this writer heard Mukaiba’s music was in 1991 during a visit to Ibadan. The captivating, almost feminine voice coming from the gramophone instantly set him apart from other popular Apala artists of the time, such as Haruna Ishola, Yusuf Olatunji, and Ayinla Omowura.
“His style was truly unique,” remarked a respected music commentator. “While others conveyed their messages with clarity and intensity, sometimes wailing and shouting, Baba Lepe was soft-spoken, yet impactful. He sang with a melodious, falsetto voice comparable to Tunde Nightingale of vintage owambe-style juju music.”
Born on April 5, 1924, in the Ajagannabe area of Epe, Mukaiba’s musical journey began unexpectedly. After learning the trade of fishing from his father, Ismail Sanni Mukaiba, he later became a successful tailor. However, his heart was always drawn to music, and in 1945 he formed his own Apala band.
Signed to Decca Records, Mukaiba recorded several hits, including “Late Segun Awolowo,” a tribute to Obafemi Awolowo on the loss of his son, as well as “Orin Obinrin,” “Omo Jaye-jaye,” and “Owo Olowo.” His unique and unconventional approach to Apala set him apart from his contemporaries, making him a true pioneer in the genre.
Despite his success as a tailor, Mukaiba’s legacy will forever be remembered for his exceptional contribution to the rich musical tapestry of West Africa. As we reflect on his life and artistry, Ligali Mukaiba’s place as an unconventional genius of Apala music remains firmly cemented in the annals of musical history.
